Motif Batik Cdr Salamander
61+ Designer Templates in Word, Excel, PSD, Google Docs, InDesign, Apple Pages, HTML5, WordPress, Publisher, Apple Numbers, Illustrator - Seamless Batik PatternSimple Batik PatternColorful Batik PatternBatik Fabric PatternAbstract Batik PatternProcess of Batik PrintingTraditional batik is done in a process in which hot wax is poured onto certain areas of the fabric to create different colors and patterns. This is called the resist-dyeing technique. This form of art is notable around the world from Africa to different parts of Asia.This process, while skillful and noteworthy, is tedious and time consuming. The designs we have here on our website all come in a printable format, which allows you to present this art easily if you intend to showcase this onto fabric or simply hang them on a wall. If are more your style, or if you prefer the more intricate, these batik patterns will definitely tickle your fancy.The Batik in the Modern AgeDue to the high demands of the batik, the modern approaches of creating these designs have taken the place of the traditional manner.
Digital creations of these patterns are now common, which signifies that a whole slew of color combinations are within reach to those who are inspired by the art.Monochromatic patterns are just as appealing as the polychromatic. The traditional images of nature and landscapes now go hand in hand with the abstract. This showcases the flexibility of the batik. Its patterns convey an appreciation for symmetrical designs, both loved by traditionalists and modernists alike.Black and White Batik PatternBatik Flower PatternJavanese Batik PatternBatik Style PatternFree Batik PatternBatik in ClothingAs most forms of ancient art, its expression does not lie entirely on architecture or in food but onto the articles of clothing that is worn by the people of its time. Because of the wearability of its, the batik does find its way into modern people’s shirts, skirts, sarongs, etc. The prints are even enjoyed by non-Asian nationalities.The aesthetic of the batik implies an appreciation for culture and for the symmetry of traditional art.
These designs can be printed on fabrics to create your own fashions and are appropriate to wear for casual activities.The Batik as Art InspirationWith the exceptional character of the batik showcased by its long history of wearability and significance in fashion and design, it is definitely safe to say that it will continue to inspire newer patterns and simultaneously stay true to its traditional roots. With the patterns showcased here, the batik will always find its place in whatever aesthetic direction you are aiming for.If you desire the classic, the minimalist, or the bold and cutting edge, these batik patterns will definitely uplift your design value.
Should you wish for a Southeast Asian–themed home design, a unique print on your shirt, or a simple piece of art to hang on your wall, the batik will definitely set you apart from the crowd.
Download on Freepik your photos, PSD, icons or vectors of Batik. We have 2,319 resources for you. Download free vectors, photos and PSD files on Freepik. Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique, originated from Indonesia. Batik is made either by drawing dots and lines of the resist with a spouted tool called a tjanting, or by printing the resist with a copper stamp called a cap.
. Devotee of (Hinduism). (Buddhism).
(Jainism)Personal informationParentsandSiblingsThe Garuda (: गरुड Garuḍa;: गरुळ Garuḷa) is a bird or bird-like creature in, and mythology. He is variously the vehicle mount ( vahana) of the Hindu god, a dharma-protector and Astasena in Buddhism, and the of the Jain Tirthankara.Garuda is described as the king of birds and a -like figure. He is shown either in zoomorphic form (giant bird with partially open wings) or an anthropomorphic form (man with wings and some bird features). Garuda is generally a protector with power to swiftly go anywhere, ever watchful and an enemy of the serpent. He is also known as Tarkshya and Vynateya.Garuda is a part of state insignia in India, Myanmar, Thailand, Cambodia and Indonesia. The official coat of arms is centered on the Garuda. The is called Garuda Pancasila.
The also uses the Garuda in their coat of arms and even named their special operations unit after it as. Garuda may be shown as a (left) alone or carrying Vishnu. A painting by (right) showing Garuda and Vishnu.In, Garuda is a divine eagle-like sun bird and the king of birds. A Garutman is mentioned in the who is described as celestial with wings.
The Shatapatha embedded inside the Yajurveda text mentions Garuda as the personification of courage. In the Mahabharata, Garutman is stated to be same as Garuda, then described as the one who is fast, who can shapeshift into any form and enter anywhere. He is a powerful creature in the epics, whose wing flapping can stop the spinning of heaven, earth and hell. He is described to be the vehicle mount of the Hindu god, and typically they are shown together.According to George Williams, Garuda has roots in the verb gri, or speak. He is a metaphor in the Vedic literature for Rik (rhythms), Saman (sounds), Yajna (sacrifices), and the atman (Self, deepest level of consciousness). In the Puranas, states Williams, Garuda becomes a literal embodiment of the idea, and the Self who attached to and inseparable from the Supreme Self (Vishnu). Though Garuda is an essential part of the mythology, he also features prominently in mythology, Shaiva texts such as the Garuda Tantra and Kirana Tantra, and Shiva temples as a bird and as a metaphor of atman.
Iconography. Relief depicting a portable Garuda pillar, one of the oldest images of Garuda, 100 BCE.The Hindu texts on Garuda iconography vary in their details. If in the bird form, he is eagle-like, typically with the wings slightly open as if ready and willing to fly wherever he needs to. In part human-form, he may have an eagle-like nose, beak or legs, his eyes are open and big, his body is the color of emerald, his wings are golden-yellow. He may be shown with either two or four hands. If he is not carrying Vishnu, he holds a jar of amrita (immortality nectar) in one hand in the rear and an umbrella in the other, while the front pair of hands are in anjali posture.
If he is carrying Vishnu, the rear hands provide the support for Vishnu's feet.According to the text Silparatna, states Rao, Garuda is best depicted with only two hands and with four bands of colors: 'golden yellow color from feet to knees, white from knees to the navel, scarlet from navel to neck, and black above the neck'. His hands, recommends the text, should be in abhaya (nothing to fear) posture.
In Sritatvanidhi text, the recommended iconography for Garuda is a kneeling figure, who wears one or more serpents, pointed bird-beak like nose, his two hands in namaste posture. This style is commonly found in Hindu temples dedicated to Vishnu.In some iconography, Garuda carries Lord Vishnu and his two consorts by his side: (Thirumagal) and (Bhuma-Devi). Garuda iconography is found in early temples of India, such as on the underside of the at Cave 3 entrance of the (6th-century). Mythology.
Garuda is found in Vishnu temples; Above: in Belur, India.Garuda mythology is linked to that of – the charioteer of (The Hindu Sun god). However, these Indian mythologies are different, inconsistent across the texts.
Both, Aruna and Garuda, developed from the egg. According to one version, states George Williams, Kashyapa Prajapati's two wives Vinata and Kadru wanted to have children. Kashyapa granted them a boon. Kadru asked for one thousand sons, while Vinata wanted two, each equal to Kadru's thousand naga sons. Kashyapa blessed them, and then went away to a forest to meditate.
Later, Kadru gave birth to one thousand eggs, while Vinata gave birth to two eggs. These incubated for five hundred years, upon which Kadru's eggs broke open and out came her 1,000 sons.
Vinata eager for her sons, impatiently broke one of the eggs from which emerged the partially formed Aruna, who looked radiant and reddish as the morning sun but not as bright as the midday sun. Aruna chided his mother, Vinata for her impatience since he was born without legs, warned her to not break open the second egg and cursed her to be a slave until his brother rescues her. Aruna then left to become the charioteer of Surya, the sun god.
Wooden statue of Vishnu riding Garuda,.Vinata waited, and after many years the second egg hatched, and Garuda was born. Her mother loses bet via cheat, to co-wife of her husband and becomes her slave. Garuda later on put request to his brothers, to free her mother from slavery at which they demanded Amrita from heaven. Garuda wages a war against gods and with his extraordinary might and abilities beyond thinking, defeats all of them along with Indra as their head. Bypassing Indra's security he took Nectar vessel and took flight for earth.
In the meanwhile Vishnu comes there and asks for a boon to be his ride, which he granted. Indra request him to not give the Amrita to those Nagas as they will trouble them later, at which they forged a plan. Garuda reaching at his brothers placed the vessel before them, and asked them to first purify themselves before drinking. Meanwhile Jayanta (Son of Indra) comes there and take the vessel with him.
On returning, they were all fed to Gadura.Some myths present Garuda as so massive that he can block out the. The text is named after him.Garuda is presented in the Mahabharata mythology as one who eats snake meat, such as the story about him planning to kill and eat Sumukha snake, where intervenes. Garuda in anger, vaunt about his feats and compares himself to Indra's equal. Vishnu teaches lesson to Garuda and cured his pride on might. Garudas are also a race of birds who devour snakes in the epic.The, a late poem considered to be among the 'earliest traces of epic poetry in India,' relates the legend of Garuda, and provides the basis for a later, expanded version which appears within the. Symbolism Garuda's links to Vishnu – the Hindu god who fights injustice and destroys evil in his various to preserve, has made him an iconic symbol of king's duty and power, an insignia of royalty or dharma.
His eagle-like form is shown either alone or with Vishnu, signifying divine approval of the power of the state. He is found on the faces of many early Hindu kingdom coins with this symbolism, either as a single-headed bird or a three-headed bird that watches all sides.Throughout the Mahabharata, Garuda is invoked as a symbol of impetuous violent force, of speed, and of martial prowess. Powerful warriors advancing rapidly on doomed foes are likened to Garuda swooping down on a serpent. Defeated warriors are like snakes beaten down by Garuda. The Mahabharata character uses a military formation named after Garuda. Even carries the image of Garuda on his banner. Buddhism.
Garuda vanquishing the clan, a artwork, 2nd century CE.Garuda, also referred to as Garula, are golden-winged birds in Buddhist texts. Under the of, they are one of the, the eight classes of inhuman beings.
In Buddhist art, they are shown as sitting and listening to the sermons of the Buddha. They are enemies of the (snakes) and are sometimes depicted with a serpent held between their claws. Like the Hindu art, both zoomorphic (giant eagle-like bird) and partially anthropomorphic (part bird, part human) iconography is common across Buddhist traditions. Garuda in style. Made of sandstone, this statue is from the first half of 10th century,. On display at the.In, the Garuda (Sanskrit;: garuḷā) are enormous predatory birds with a wingspan of 330.
They are described as beings with intelligence and social organization. They are also sometimes known as suparṇa (Sanskrit; Pāli: supaṇṇa), meaning 'well-winged, having good wings'.
Like the, they combine the characteristics of animals and divine beings, and may be considered to be among the lowest of the. The Garudas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuda kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or.Jataka stories describe them to be residents of Nagadipa or Seruma.The Garuda are enemies to the, a race of intelligent serpent- or dragon-like beings, whom they hunt.
The Garudas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the Garudas, wearing them out and killing them from exhaustion. This secret was divulged to one of the Garudas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone (Pandara Jātaka, J.518).The Garudas were among the beings appointed by to guard Mount and the heaven from the attacks of the. 13th century sculpture depicts Garuda devouring a serpent.In the Maha-samaya Sutta (Digha Nikaya 20), the is shown making temporary peace between the Nagas and the Garudas.In the fiction (1684), Garuda sits at the head of the Buddha's throne. But when a celestial bat (an embodiment of the ) flatulates during the Buddha's expounding of the, Garuda kills her and is exiled from paradise. He is later reborn as General. The bat is reborn as Lady Wang, wife of the Prime Minister, and is instrumental in formulating the 'Eastern Window' plot that leads to Yue's eventual political execution. The Story of Yue Fei plays on the legendary animosity between Garuda and the Nagas when the celestial bird-born Yue Fei defeats a magic serpent who transforms into the unearthly spear he uses throughout his military career.
Literary critic explains the reason why Qian Cai, the book's author, linked Yue with Garuda is because of the homology in their Chinese names. Yue Fei's is Pengju ( 鵬舉). A ( 鵬) is a giant mythological bird likened to the Middle Eastern. Garuda's Chinese name is Great Peng, the Golden-Winged Illumination King ( 大鵬金翅明王). Garuda according to Ida Made Tlaga, a 19th-century artist.In, and the rest of the eagle symbolism is represented by Garuda, a large bird with eagle-like features that appears in both Hindu and Buddhist epic as the (vehicle) of the god.
Balinese dancers including a man dressed as Garuda (1935).uses the Garuda in a form called the as its. It is somewhat intertwined with the concept of the. The Garuda Pancasila is coloured black or, symbolizing both the greatness of the nation and the elang Jawa ( Nisaetus bartelsi).
The black color represents nature. There are 17 feathers on each wing, 8 on the lower tail, 19 on the upper tail and 45 on the neck, which together make up the date 17 August 1945, when. The shield it carries bears the, which symbolizes self-defense and protection in struggle. national of Indonesia. force of the., one of the oldest and leading university in Indonesia uses Garuda on its emblem. The emblem, containing a Garuda in a blue and yellow circle, is called 'Garudamukha', and depicts Garuda as the bearer of knowledge, carrying a jug of, the water of eternity, symbolizing eternal knowledge.
A part of planned 120-metre tall statue in Bali, currently under construction. In and, the Garuda has become a cultural symbol. The wooden statue and mask of Garuda is a popular feature in artworks and souvenirs.
The tallest Garuda statue, made of copper and brass standing 18 metres (59.1 ft) tall, is located in complex in. Garuda has identified as in international games, namely 'The Garuda Team'. The stylized brush stroke that resembles Garuda appears in, held in and, Indonesia. The stylized curves that took form of Garuda Pancasila appears in the logo of. Garuda becomes the inspiration for national costumes worn by at and beauty pageant.
'Garuda Restaurant' also known as Restoran Garuda - a well known in Indonesia which preparesJapan. Sun Dhoka Golden Gate with the Goddess Taleju Bhawani and Garuda, leading to the Royal Palace,.Philippines. surname in originally comes from the Sanskrit Garuda. The of southern Philippines believe in a race of creatures called garuda who dwell beneath the sea. These beings are winged, have big teeth, and huge talons that can carry six men.
They look like eagles when flying in the sky but transform into humans when in their lairs.Suriname. In, there is a radio and TV station called Radio en Televisie Garuda, which broadcasts programming from, particularly, aimed at the population.Thailand Wikimedia Commons has media related to. Garuda as the masthead of Thai royal barge.uses the Garuda (: ครุฑ, khrut) as, known as the Phra Khrut Pha, meaning 'Garuda, the vehicle (of Vishnu),' also used as the symbol of royalty. It adorns the banknote of their currency - the Baht - as well. The Kingdom of Siam has had an image of Garuda in its coins at least since the.
Statues and images of Garuda adorn many Buddhist temples in Thailand. It also has become a cultural symbol of Thailand. The figure of Garuda is also installed as the figurehead or masthead of.Gallery Insignia. Garuda at the funeral of King of Thailand in 2017In other media. A Garuda voiced by appears in the film.
The Garuda appears as a species of beings in the television show portrayed by. Garuda is the name of a Warframe in the video game. One of the largest known species of wasp takes its name from Garuda,. In the manga and anime, one of the Three Judges of the Underworld is Garuda Aiacos, wearing an armor known as a Surplice with a design inspired by the Garuda. Garuda is the name of the secondary mech used in Choujin Sentai Jetman, Bird Garuda/Jet Garuda. In Yu-Gi-Oh!.
^ Robert E. Buswell Jr.; Donald S. Princeton University Press. Pp. 314–315. ^ Roshen Dalal (2010).
Penguin Books. P. 145. ^ Helmuth von Glasenapp (1999). Motilal Banarsidass. P. 532.
Robert E. Buswell Jr.; Donald S. Princeton University Press. Pp. 249–250. ^ George M.
Williams (2008). Oxford University Press. Pp. 21, 24, 63, 138., Quote: 'His vehicle was Garuda, the sun bird' (p. 21); '(.) Garuda, the great sun eagle, (.)' (p. Gopinatha Rao (1993). Motilal Banarsidass.
Pp. 285–287. ^ Thomas E. Donaldson (2001). DK Printworld.
Pp. 253–259. ^ Roshen Dalal (2010). Penguin Books.
Batik Pattern Jpg
Archived from the original on 27 August 2013. Retrieved 17 March 2010. CS1 maint: archived copy as title CS1 maint: BOT: original-url status unknown. ^ Roshen Dalal (2010). Penguin Books. Pp. 144–145.
^ George M. Williams (2008). Oxford University Press. Pp. 138–139.
^ Mark S. Dyczkowski (1988). State University of New York Press. Pp. 40–41. Peter Heehs (2002).
New York University Press. Pp. 195–196. Dominic Goodall (2001).
Vecteezy Patterns
Motilal Banarsidass. Pp. 341–358.
Gupta, The Roots of Indian Art, 1980, p.29. George Michell (2015). Jaico Publishing. Pp. 49–52. ^ George M. Williams (2008). Oxford University Press.
Pp. 62–63. Gopal, Madan (1990). Gautam (ed.).
India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. P. 70. Ashok, Banker K (2012). Retrieved 6 March 2013. Brenda Rosen (2010). Godsfield Press.
P. 158. Ludo Rocher (1986). Otto Harrassowitz Verlag. Pp. 175–177.
^ Johannes Adrianus Bernardus Buitenen (1973). University of Chicago Press.
Pp. 167–168, 389–393. Moriz Winternitz (1996). Motilal Banarsidass. Pp. 291–292. Jean Philippe Vogel (1995). Asian Educational Services.
Pp. 53–54. K. Bajpai (October 2004).
Abhinav Publications. Pp. 19–24, 84–85, 120–124. Hsia, C.T. Hsia on Chinese Literature. Columbia University Press, 2004 ( ), 154.
Hsia, C. Hsia on Chinese Literature, pp. 149. ^ Hsia, C.T. Hsia on Chinese Literature, pp. 149 and 488, n. 30.
Chau, Ju-Kua, Friedrich Hirth, and W.W. Chau Ju-Kua: His Work on the Chinese and Arab Trade in the Twelfth and Thirteenth Centuries, entitled Chu-Fan-Chi. Petersburg: Printing Office of the Imperial Academy of Sciences, 1911, p. Universiteit van Amsterdam. Institute of South Asian Archaeology. P. 24.
Abhishek Saksena (4 January 2016). India Times. Khmer dictionary of Buddhist institute of Cambodia, published in 1967. Japanese Buddhist Statuary. Michael Kohn. Mongolia., 2005.
52. Maitrii Aung-Thwin (2011). P. 122. worship. Royal Embassy of Thailand in Doha, Qatar. ^.
Emuseum.treasury.go.th. curl=External links. at.